1Sep
in Typography
Free font: Rue Display by Type Together
The team at Type Together, creators of the extremely popular Bree font, is offering Rue Display, designed by Winnie Tan, as a free download.
-
2032 readers
Posts Tagged ‘type foundry’
19May
in Graphic design, Typography
Google releases Font Directory to embed open source fonts on your websites
Today is Day 1 of Google I/O, the largest developer conference hosted by Google, focused on Android, Chrome, GWT, and of course, open web technologies. Besides the keynotes, there are more than 80 sessions focusing on specific topics of the afore mentioned Chrome, Android and GWT, but also covering geolocation services, social web, Google Wave, App Engine and others.
But as a designer, you will really get excited with the announcement of the Google Font Directory, a free service where they will be serving high quality open source fonts for web embedding. Let’s see how simple it is to embed your fonts using Google Font Directory.
17Nov
in minipost
Public Gothic by A2591
As they defined it, Public Gothic is an industrial condensed vintage typeface, the new face from A2591. Beta release is free for commercial works.
10Nov
in Graphic design, Inspiration, Typography
Sudtipos font banners
Ale Paul from Sudtipos uploaded to Behance some beautiful font banners using Sudtipos fonts.
5Nov
in Graphic design, Typography
Okay, let’s type Chino
There’s a lot of type today so let’s begin: Sudtipos released today Bravissima, a wild script typeface, which according to Robert Bringhurst would be an expressionist typeface. Looks really good as it is usual with Sudtipos. Are you already a fan of Sudtipos in Facebook?
Read more
9Sep
in Typography
SudTipos releases Semilla typeface
SudTipos, the amazing type foundry from Argentina, released Semilla yesterday, a new ornamental display typeface and it looks absolutely gorgeous. You just have to love the marvelous terminations like those in Roses or Zoe above. And what about the ligature of ’ss’ characters ? I find interesting how the lowercase ‘g’ and ‘y’ saves a lot of vertical space. I am amazed at how each glyph has its own strong identity, for example the stems on top of the ‘f’ and ‘c’.
